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The Celviano family of pianos is synonymous with piano authenticity. When a traditional grand piano is impractical, players around the world delight in the natural sound and touch of Celviano instruments. The AP-270 delivers the quality and refinement you’ve come to expect from Celviano, in a compact-yetelegant cabinet that compliments any space.

  • An elegant piano to fit any space
  • Brilliant new European and American piano Tones with damper resonance
  • Tri-Sensor II Scaled Hammer Action keys with textured key surfaces
  • Split, layer, or practice a duet with dual headphone outputs
  • Stylish wooden cabinetry available in your choice of colors, with included bench

 

PIANO PURITY

A scaled, weighted hammer action keyboard delivers the response of a traditional grand piano, with simulated ivory and ebony key textures inspiring confidence in any playing situation. Duet mode splits the keys into two equal pitch ranges for lessons, performances, and more.

WELL-PLAYED

The acclaimed Tri-Sensor II Scaled Hammer Action piano keys give you an incredibly realistic and natural feel. The simulated ebony and ivory textures complete the experience, combined with an innovative hammer action that is accurately scaled across the entire key range. Adjustable touch sensitivity allows customization to suit any playing style, and adjustable hammer response accurately reproduces the delay between when the key is struck and a note is produced.

WELL-HEARD

The AP-270 includes a powerful stereo amplification system. The speakers are conveniently located for an optimal listening experience, and are crystal-clear across the entire audio spectrum. The AP-270’s sleek design conceals the speakers from obvious view, preserving the natural aesthetic of a wooden instrument.

WELL-EDUCATED

The AP-270 is not only ideal for practice and performance, but also for lesson environments. You can connect two sets of headphones using the ¼” jacks on the front panel, allowing quiet practice. Duet Mode splits the piano into two equal pitch ranges, allowing a student and teacher to sit at the same instrument.

WELL-CONNECTED

The AP-270 connects via class-compliant USB to any PC, Mac, iOS, or Android device, with no drivers or installations needed. Use the free Casio Music Space for Piano app for Android/iOS devices to control the functions of your AP-270, as well as interact with MIDI files, PDF scores, and much more.

WELL-APPOINTED

The built-in Music Library contains 60 songs, with room for ten additional songs of your choice. You can also record your performances using the AP-270’s two-track MIDI recorder.

WELL-DRESSED

Thoughtfully designed to compliment any décor, the AP-270 is available in either a black, or walnut and includes a matching bench. Its compact, elegant cabinet with sliding key cover adds to the beauty of any room.

Specifications

Keyboard

Tri-sensor Scaled Hammer Action Keyboard Ⅱ (Key Surface Finish: Simulated ebony and ivory keys)

Number of Keys

88

Touch Response

3 sensitivity levels, off

Sound Source

Multi-dimensional Morphing AiR

Maximum Polyphony

192

Number of Tones

22

Built-in Songs

60

Demonstration Songs

Song Expansion (User Songs): 10 songs (max.) Up to approximately 90 KB / song

Lesson Function

Part on/off (Part Select: Right hand, Left hand)

Recorder

[MIDI Recorder] 2 tracks, 1 song Approximately 5,000 notes total Real-time recording

Pedal

3 built-in pedals (damper, soft, sostenuto) Half-Damper Pedal Operation: Yes

Speaker

12 cm x 2, 2-Speaker

Amplifiers

8 W + 8 W

Power Supply

[AC Adaptor] AD-E12150LW (DC 12V)

Power Consumption

18W

Dimensions

1,417 x 432 x 821 mm (w/o music stand)

Weight

36.6 kg

Color

Black

Included Accessories

AC Adaptor (AD-A12150LW), Music Stand, Piano Bench

Acoustic Simulator

Hammer Response Damper Resonance Damper Noise

Effects

Reverb (4 types) Chorus (4 types) Brilliance (-3 ~ 0 ~ +3) DSP (Preset for some tones)

Layer/Split

Yes

Octave Shift

-2 octaves ~ 0 ~ +2 octaves

Transpose

-12 semitones ~ 0 ~ +12 semitones

Tuning Control

A4 = 415.5 Hz ~ 440.0 Hz ~ 465.9 Hz

Scales

Equal temperament + 16 variations

Metronome

0 to 9 beats; tempo range: 20 to 255

Concert Play

10 songs, Playback Mode: LISTEN, LESSON, PLAY, Controller: START, STOP

Duet Mode

Yes

Others

・Auto Power Off ・Slide-type keyboard cover

USB port

Type B

Connector for 3-pedal unit

Yes

PHONES/OUTPUT

2 (Stereo standard jack) multi-use OUTPUT terminal

Connection to App

Yes (CASIO MUSIC SPACE)

MIDI

Yes (Using the USB port)
Built-in Songs
  • Nocturne Op.9-2
  • Fantaisie-Impromptu Op.66
  • Étude Op.10-3 “Chanson de l’adieu”
  • Étude Op.10-5 “Black Keys”
  • Étude Op.10-12 “Revolutionary”
  • Étude Op.25-9 “Butterflies”
  • Prélude Op.28-7
  • Valse Op.64-1 “Petit Chien”
  • Valse Op.64-2
  • Moments Musicaux 3
  • Impromptu Op.90-2
  • Marche Militaire 1 (Duet)
  • Frühlingslied [Lieder Ohne Worte Heft 5]
  • Fröhlicher Landmann [Album für die Jugend]
  • Von fremden Ländern und Menschen [Kinderszenen]
  • Träumerei [Kinderszenen]
  • Tambourin
  • Menuet BWV Anh.114 [Clavierbüchlein der Anna Magdalena Bach]
  • Inventio 1 BWV 772
  • Inventio 8 BWV 779
  • Inventio 13 BWV 784
  • Praeludium 1 BWV 846 [Das Wohltemperierte Klavier 1]
  • Le Coucou
  • Gavotte
  • Sonatina Op.36-1 1st Mov.
  • Sonatine Op.20-1 1st Mov.
  • Sonate K.545 1st Mov.
  • Sonate K.331 3rd Mov. “Turkish March”
  • Rondo K.485
  • Für Elise
  • Marcia alla Turca
  • Sonate Op.13 “Pathëtique” 1st Mov.
  • Sonate Op.13 “Pathëtique” 2nd Mov.
  • Sonate Op.13 “Pathëtique” 3rd Mov.
  • Sonate Op.27-2 “Moonlight” 1st Mov.
  • Rhapsodie 2
  • Waltz Op.39-15 (Duet)
  • Liebesträume 3
  • Blumenlied
  • La Prière d’une Vierge
  • Csikos Post
  • Humoresque Op.101-7
  • Melodie [Lyrische Stücke Heft 2]
  • Sicilienne Op.78
  • Berceuse [Dolly] (Duet)
  • Arabesque 1
  • La Fille aux Cheveux de Lin [Préludes]
  • Passepied [Suite bergamasque]
  • Gymnopédie 1
  • Je Te Veux
  • Salut d’Amour
  • The Entertainer
  • Maple Leaf Rag
  • L’arabesque [25 Etüden Op.100]
  • La Styrienne [25 Etüden Op.100]
  • Ave Maria [25 Etüden Op.100]
  • Le retour [25 Etüden Op.100]
  • La chevaleresque [25 Etüden Op.100]
  • No.13 [Études de Mécanisme Op.849]
  • No.26 [Études de Mécanisme Op.849]

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